Opinion

Caleb Jones is a speaker and thinker deeply engaged with the intersection of Mormon theology, transhumanism, and intergenerational connection. His work focuses on the spirit of Elijah, as referenced in Malachi, and its implications for creating faith-based connections across generations, both living and deceased. He advocates for a broader interpretation of this principle, extending it beyond traditional temple work to encompass a reconciliation of ancient wisdom with modernity. ¶ Jones draws upon G.K. Chesterton’s concept of the “democracy of the dead” to frame his exploration of tradition and remembrance. He posits that our ancestors, through their artifacts and influence, continue to participate in the present. He sees the redemption of the dead through these artifacts—books, music, laws, traditions—as a collective human endeavor involving various disciplines such as literary scholarship, archaeology, and religious studies. ¶ His perspective emphasizes the importance of engaging with the past to inform and enrich the future, particularly within the context of Mormonism and its emphasis on family history and genealogical work. Jones champions seeking a healthy balance and ongoing reconciliation of the hearts and minds of the dead and dying with the hearts and minds of the living, to redeem rising generations.

Giulio Prisco is a writer, technologist, futurist, and transhumanist. He is based in Budapest and is a frequent speaker and writer on topics related to science, technology, and the future. ¶ A former manager in European Science and Technology Centers, Prisco’s interests span a wide range of subjects, including information technology, emerging technologies, virtual worlds, space exploration, and future studies. He is especially interested in the convergence of science, technology, and spirituality—a theme he explores through his work with the Turing Church of Transcendent Engineering. ¶ Prisco is deeply interested in concepts like mind uploading, cryonics, and brain preservation, and how these technologies intersect with philosophy and religion. He is an advocate for the potential of technology to transcend human limitations and explore spiritual possibilities, dedicating his work to advancing these ideas within the broader transhumanist community.

Blaire Ostler is a philosopher, author, and artist whose work explores the intersection of Mormon theology, transhumanism, and human identity. A ninth-generation Latter-day Saint, she has been a notable voice in conversations about the synthesis of religious tradition with technological progress and expanding theological inquiry. ¶ Ostler holds a Bachelor of Fine Arts in Design from the International Academy of Design and Technology–Seattle. Her background as an abstract modern artist deeply informs her philosophical work. Her paintings, characterized by their exploration of aesthetics and form, can be found in residences and businesses throughout Seattle. This artistic sensibility extends to her writing, where she examines the boundaries of traditional categories to explore a more expansive understanding of divinity and humanity. ¶ Ostler is the author of Queer Mormon Theology: An Introduction (2021), in which she engages with Mormon doctrinal concepts such as the nature of the divine, the significance of Heavenly Mother, and the potential for technological resurrection. Her involvement with the Mormon Transhumanist Association has been significant; she served on the Board of Directors for six years and as CEO from 2016 to 2018. Her transhumanist vision emphasizes active discipleship, where humanity participates in the work of God through morphological freedom and cognitive liberty. ¶ Blaire continues to write, paint, and speak on themes of identity, truth, and beauty, exploring the relationship between the human and the divine.

Caleb Jones is a speaker and thinker deeply engaged with the intersection of Mormon theology, transhumanism, and intergenerational connection. His work focuses on the spirit of Elijah, as referenced in Malachi, and its implications for creating faith-based connections across generations, both living and deceased. He advocates for a broader interpretation of this principle, extending it beyond traditional temple work to encompass a reconciliation of ancient wisdom with modernity. ¶ Jones draws upon G.K. Chesterton’s concept of the “democracy of the dead” to frame his exploration of tradition and remembrance. He posits that our ancestors, through their artifacts and influence, continue to participate in the present. He sees the redemption of the dead through these artifacts—books, music, laws, traditions—as a collective human endeavor involving various disciplines such as literary scholarship, archaeology, and religious studies. ¶ His perspective emphasizes the importance of engaging with the past to inform and enrich the future, particularly within the context of Mormonism and its emphasis on family history and genealogical work. Jones champions seeking a healthy balance and ongoing reconciliation of the hearts and minds of the dead and dying with the hearts and minds of the living, to redeem rising generations.

Giulio Prisco is a writer, technologist, futurist, and transhumanist. He is based in Budapest and is a frequent speaker and writer on topics related to science, technology, and the future. ¶ A former manager in European Science and Technology Centers, Prisco’s interests span a wide range of subjects, including information technology, emerging technologies, virtual worlds, space exploration, and future studies. He is especially interested in the convergence of science, technology, and spirituality—a theme he explores through his work with the Turing Church of Transcendent Engineering. ¶ Prisco is deeply interested in concepts like mind uploading, cryonics, and brain preservation, and how these technologies intersect with philosophy and religion. He is an advocate for the potential of technology to transcend human limitations and explore spiritual possibilities, dedicating his work to advancing these ideas within the broader transhumanist community.

Blaire Ostler is a philosopher, author, and artist whose work explores the intersection of Mormon theology, transhumanism, and human identity. A ninth-generation Latter-day Saint, she has been a notable voice in conversations about the synthesis of religious tradition with technological progress and expanding theological inquiry. ¶ Ostler holds a Bachelor of Fine Arts in Design from the International Academy of Design and Technology–Seattle. Her background as an abstract modern artist deeply informs her philosophical work. Her paintings, characterized by their exploration of aesthetics and form, can be found in residences and businesses throughout Seattle. This artistic sensibility extends to her writing, where she examines the boundaries of traditional categories to explore a more expansive understanding of divinity and humanity. ¶ Ostler is the author of Queer Mormon Theology: An Introduction (2021), in which she engages with Mormon doctrinal concepts such as the nature of the divine, the significance of Heavenly Mother, and the potential for technological resurrection. Her involvement with the Mormon Transhumanist Association has been significant; she served on the Board of Directors for six years and as CEO from 2016 to 2018. Her transhumanist vision emphasizes active discipleship, where humanity participates in the work of God through morphological freedom and cognitive liberty. ¶ Blaire continues to write, paint, and speak on themes of identity, truth, and beauty, exploring the relationship between the human and the divine.